Esbjorn Svensson Trio Tuesday Wonderland Rar
Esbjorn Svensson Trio Tuesday Wonderland Rar >>> https://urlgoal.com/2tuvNb
Esbjorn Svensson Trio: Tuesday Wonderland - A Jazz Fusion Masterpiece
The Esbjorn Svensson Trio, also known as E.S.T., was a Swedish jazz group that achieved international fame and acclaim with their unique blend of jazz, classical, rock and electronic music. Their album Tuesday Wonderland, released in 2006, was one of their most successful and innovative works, showcasing their creative and diverse musical expression.
Tuesday Wonderland consists of 11 tracks that range from atmospheric and melodic to energetic and experimental. The opening track, \"Fading Maid Preludium\", sets the tone with a gentle piano melody that is suddenly interrupted by a distorted bass and frantic drums, creating a contrast between beauty and chaos. The title track, \"Tuesday Wonderland\", features a catchy and rhythmic piano motif that is complemented by subtle electronic effects and dynamic drumming. \"The Goldhearted Miner\" is a tribute to the Swedish folk music tradition, with a folk-like melody played on the piano and bass over a swinging groove. \"Brewery of Beggars\" is a complex and adventurous piece that shifts between different tempos, moods and styles, from calm and contemplative to fast and furious. \"Beggar's Blanket\" is a soothing and tender ballad that showcases the trio's lyrical and emotional side. \"Dolores in a Shoestand\" is a playful and upbeat tune that recalls the influence of Pat Metheny on the trio's sound. \"Where We Used to Live\" is a nostalgic and melancholic piece that features a beautiful piano solo by Svensson. \"Eighthundred Streets by Feet\" is a groovy and funky track that highlights the trio's tight interplay and groove. \"Goldwrap\" is a fusion of jazz and trance music, with a hypnotic bass line, electronic beats and piano improvisation. \"Sipping on the Solid Ground\" is a catchy and cheerful tune that ends with a hidden track, a solo piano rendition of the Beatles' \"Yesterday\". The closing track, \"Fading Maid Postludium\", is a reprise of the opening track, but with a more serene and peaceful mood.
Tuesday Wonderland is a remarkable album that demonstrates the trio's originality, versatility and talent. It is a fusion of genres that transcends boundaries and appeals to a wide range of listeners. It is also a testament to the legacy of Esbjorn Svensson, who tragically died in 2008 in a diving accident. He was one of the most influential and innovative pianists of his generation, who left behind a rich and inspiring musical heritage.
Tuesday Wonderland received critical acclaim from both jazz and mainstream media, as well as from fans and peers. It was nominated for a Swedish Grammy Award and a BBC Jazz Award, and won a German Jazz Award and a French Victoires du Jazz Award. It also reached the top of the jazz charts in several countries, and was praised for its accessibility and appeal to a broader audience.
Some of the reviewers highlighted the trio's ability to create a distinctive and coherent sound that transcends genres and labels. John Kelman from All About Jazz wrote: \"Svensson may get the lion's share of solo space, but Tuesday Wonderland is a record that would be entirely different were it not for the equally significant contributions of Berglund and ÃstrÃm. It's best effort since Strange Place for Snow , the wider North American distribution of Tuesday Wonderland should help push e.s.t. towards the recognition it deserves as one of the most important piano trios on the scene today.\"[^1^]
Other reviewers focused on the trio's innovation and experimentation, as well as their emotional and expressive range. John Fordham from The Guardian wrote: \"Esbjorn Svensson's trio has been one of Europe's most successful jazz exports in recent years - partly because it doesn't sound like a jazz group at all. [...] The music is full of surprises - sudden switches from acoustic to electronic sounds, abrupt changes of tempo and mood, bursts of raw energy followed by lyrical introspection. But it also has a strong sense of melody, harmony and structure, and a remarkable rapport between the three musicians.\" a474f39169